Brand
- Lalitak™ 11
Lalitak – Greek Yogurt and Curd Maker with Fine Mesh Strainer, Whey Separator 1100ml Capacity
Lalitak – Ice Tray Round Shape 33 Cavity, for Whiskey, Cocktails, Fresh Juice, Mocktails, Tea & Coffee, Pack of 2
Lalitak – Ice Trays Soft Silicone for Freezer, Small Cubes Whiskey Fridge Bar, BPA Free Food Grade, – Pack of 2
Lalitak – Kitchen Oil Absorbing Paper Sheets, Multipurpose Grease Absorbent Paper for Cooking, Baking, Frying
Lalitak – Lunch Box with 3 Compartments Stainless Steel, Spoon Included, Multicolour
Lalitak – Mesh Plastic Bag Dispenser, Kitchen Storage Organizer, Hanging Garbage Bag Holder, Washable, 2-Pack
Lalitak Microfiber Kitchen Cloth Dish Towels, Double-Sided, Reusable for House Furniture Table Kitchen Window Glasses, Pack of 10
Lalitak Portable Drawstring Insulated Canvas Lunch Bag for Commuter, Outdoor Picnic, Office Worker in Multicolour
Lalitak- Lunch Bag Premium & Insulated Tote Shaped for Commuter, Outdoor Picnic, Office Worker in Multicolour
Lotus Seeds All Season – Lalitak
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.